Lucy and the New Dawn Traders

Fare Traded by Sail

And so it begins… The voyages of the New Dawn Traders & Tres Hombres

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Some weeks totally blow your mind. When I look back over the last few days it’s difficult to believe it.

My week turned upside down when I got a call on Sunday.

“The Tres Hombres has arrived in Cornwall early. Do you want to go sailing?”

“HELL YES!”

Within 24 hours I had boarded a coach to the Cornwall gathering up Alex, Jamie and Leo to join the adventure. We joined the good ship Tres Hombres in Charlestown, a stones throw from St Austell. The ship was anchored just outside of the harbour. We met Andreas, the current Captain and one the 3 ‘hombres’, in the harbour bar and immediately swapped tales and stories of the Caribbean, rum trade and history of the ship. Although we had not met before, it instantly felt like we were old friends.

The Tres hombres is a 32 m Square rig Brigantine launched in 2009 as a ‘fair transport’ sail trading vessel. SV Tres hombres sails out of Den helder in the Netherlands. However she is registered as a sail cargo & sail training vessel in Sierra Leone with her port of registration rather aptly being ‘Freetown’.

I admit I have quite a serious crush on this ship since visiting her last year in Great Yarmouth. With her mustard painted deck houses, square sails, black hull and red trim she cuts a fine figure.

Alex and I have been invited to join the next voyage of the Tres hombres in October so this mini voyage along the West country coastline was the perfect opportunity to get to know the wider team and finalise our plans together.

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Every crew member on board has their own mug. This beautiful example has been hand painted by 1st mate, Eric.

We were quickly ferried out to the ship by Freya, 2nd mate aboard the Tres hombres. A friend of Andreas, a Cornish Sea weed fisherwomen called Caro also joined us to make up a crew of 5 visitors. Caro helped with the Tres Hombres build several years ago. It was delightful watching as she explored all the nooks and crannies re-living the stories of the build and memories of the artists that had contributed to the ship.

Mermaid by Caro, Hanging in the galley.

Mermaid by Caro, Hanging in the galley.

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The deck house and galley are painted a sunny shade of mustard which looked magnificent in the evening light.

A quick round of introductions were made before the crew got to work releasing the jib sails and hoisting the anchor. The crew didn’t waste a second in jumping into harnesses and scaling the rigging. I looked on a little daunted as I imagined climbing up to unfurl the Royal on the high seas.

A tour of the ship followed. The smell of molasses, cocoa and spices in the cargo hold was sensational. Our bunks are in the fo’c's’le which is shared by 8 crew.

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Joal up the rigging unfurling the main sail with the t’gallant and royal above

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Galexy (Alex) finding her sea legs once again

Once the sails were set we were cruising a steady 6.5 knots on a bearing of 110°. The hull of Tres hombres is a former German Minesweeper and was apparently chosen for her efficiency through the water.

Then the first watch were called for supper. Alex and I prepared a mushroom and leek stroganoff with a salad with leaves sourced from The Severn Project. The Severn Project is a horticultural social enterprise based on former wastelands outside Bristol and employs people struggling with drug addiction to provide them with a pathway to recovery.

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Jamie and Henk working the windlass; hoisting the anchor. The windlass is engraved with ‘Pura Vida’. Leo, our filmmaker looks on.

It was a beautifully clear evening with a full nights sky of crystal clear stars. Memories of my ocean crossings with Irene came flooding back. Nothing beats the skies at night while sailing. I eventually crawled into my bunk exhausted after a day of travelling, determined to wake early for the sunrise.

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Freya, 2nd mate of the Tres Hombres, helming as Andreas looks on with Caro.

Jamie woke me at 5am. In excitement I instantly sat bolt up right hitting my head on the ceiling. Doh!

Then scrambled onto the foredeck to see the bright red perfect sphere of the sun just as it breached the horizon. The winds were light but we were still making good headway passing start point to Port; the lighthouse flashing rhythmically on the shore warning of the treacherous rocks below. This is my all time favourite coastline. My childhood was spent sailing in Salcombe, walking around Bolt head (the sleeping dragon) and swimming on the beach which I only know as the stony beach below West Prawle. A little further along the coast we passed the lost village of Hallsands, which disappeared into the swell one fateful night in 1917 during a storm.

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The sun sets as we unfurl the canvas

Gradually as watch rotated I got to speak to each of the crew members and learn their histories aboard Tres hombres. Alex and I nominated ourselves for lunchtime galley duty to give Rob, the chef aboard a rest. We had brought with us a selection of ingredients that we thought crew might be missing. Like fresh butter, fresh cheese, yoghurt, salad, and fruit.

Lunch Menu

French beans, mangetout, asparagus salad with toasted hazelnuts and chilli orange dressing.

Pasta in garlic olive oil with sun dried tomatoes from the Azores and fresh goats cheese

Fresh coleslaw with lemon pepper and pineapple

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Mermaid by Caro, a cornish seaweed fisherwomen, who helped originally with the Tres hombres build 5 years ago.

In the afternoon the wind disappeared and we found ourselves drifting in seas as clear and flat as glass. Our ideas of making Brixham before the pubs closed evaporated in the balmy sunshine. The crew lolled around like sleeping lions while we barely made 1.5 knots. To pass the time Alex and I decided to bake a cake. With no recipe books aboard we set to work inventing something tasty.

Ready! Steady! Cook!

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Under full sail in the beaming sunshine

Flambéed banana cake with coconut

In the galley we found a large bunch of little sweet bananas hand harvested in the Azores which we flambeed in 75 grams of butter with a healthy slug of Dominican Republic Rum and heavy handful of coconut. The cake batter was prepared with 1 cup of butter, 2 cups of sugar, 3 cups of flour and 4 eggs plus a large pinch of cinnamon and 2 teaspoons of baking powder. We added the banana mix and then dusted the surface with a mix of sugar and cinnamon, just before placing in the oven which (I think) was around 200°C!

Approximately 30 minutes later the galley was filled with a heady scent of cinnamon and baked sugar. The cake was a roaring success and devoured within minutes of distribution.

Shortly after fuelling up on cake, we launched the rib to get some shots of the ship from the water. As we did the wind returned to fill the sails. Jamie, Leo and I went out with Freya to collect the footage. With all the canvas up and the sun setting she looked iridescent mirage. I had to pinch myself to believe my eyes!

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Andreas checking the charts. We are currently skirting Bolt head, Salcombe, Start point and the lost village of Hallsands.

As we returned to ship, the Captain dived below decks and pulled out a ‘Fair Transport’ bottle of rum for the crew sundowner. Tres hombres own brand of Rum is sourced from producers in the Dominican Republic and is based on fermented Molasses aged in Oak barrels for at least 8 years. The result is a delicious dark rum smooth with an aroma of cocoa and citrus. We all assembled around the hatch to toast the day as the sun set. All of us blown away by the magic of the sunset and the day of unexpected radiant sunshine.

“I can no longer joke about British weather” quipped Martin.

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Alex checks out the galley. Soon to be our home for 8 months!

We arrived the following morning early in Brixham anchoring just outside the harbour opposite the yacht club. As we packed away the sails we watched as the fishermen returned to port laden with fresh seafood. Alex, Jamie and Leo made ready to leave and return to the city. As a final toast we enjoyed another glass of rum.

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You know it is going to be a splendid day when it starts with a ships ration of sail shipped rum.

I stayed aboard for the day pottering around deck, sunbathing on the hatches and helping to prepare lunch with Freya, the 2nd mate. Freya has been on Tres hombres for 8 months and was eagerly awaiting arrival of her mother who is joining the ship for a week. Freya told me her stories of living on boats in Amsterdam and her childhood on the water. Her father is a captain so the lifestyle is in blood.

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Andreas and Rob get inked up preparing cuttlefish dropped off by local fishermen as they return to Brixham with the daily catch

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Freya’s cabin

Freya showed me her sketch book filled with short stories and scenes experienced as she sailed through the Caribbean. My favourite was her sketch about standard ‘Dullphins’. I’m still at the stage of extreme excitement every time I see them but perhaps this is a the test of a true mariner. The day you lose the instantaneous squeal of seeing dolphins at the bow is the day you have earned your sea legs?! I really hope that isn’t the case!!

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Freya’s sketch book. Ach ‘Dullphins’ again!!

In the evening the ship was joined by the crew of a neighbouring Brixham trawler called Leader from the Trinity Sailing Foundation. The young crew aboard had been working through the winter to renovate her and prepare for a full summer programme of charter and sail training.

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View towards the bow with the galley house on deck

I eventually boarded the coach at Midnight, my portal out of Narnia, to be swept back to the grimy city streets arriving at dawn. Invigorated, sun kissed and excited about the coming grand voyage to Brazil.

Ahoy Tres Hombres!

Alex and I are currently on route to St Austell to join the sail trader SV Tres Hombres and cruise along the South west coast to Brixham. 

The Tres hombres has just arrived on British shores, fresh from the caribbean and laden to the gunwales with ‘Fair Transport’ rum, Grenada organic chocolate, spices and coconut oil. New Dawn Traders Jamie, Alex and myself are joining her to get a taster for our voyage sailing with them in October to Brazil. 

More stories and pictures to come! 

Food for thought

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Having crossed the Atlantic and back, trading rum, chocolate and spices by sail ship and connecting with slow food communities along the route, New Dawn traders are spearheading a revival of sail trading and telling stories of globally local food system. Join Lucy as she shares her wild journey discovering the tastes of the fossil fuel free world she dreams of. 

Food is the oldest global carrier of culture. Food has always been a major driving force for globalization, especially during earlier phases of European trade and colonial expansion.

In the last 100 years the nature of globalization and food culture has changed from being driven by tribes, nations to multinational corporations driven by profit and the bottom line. As a result our food system is in crisis.

From rapidly rising prices, crop failures, climate change, biodiversity, soil loss, rising prices of inputs… Our food system is in serious need of a make over!

So what does a positively global food system look, smell, taste like? How do our food choices and tastes influence environment and land use? What is the future of global food culture? All good food for thought.

Power in Story

The theme of my week has been STORY, specifically digital arts, activism and storytelling. I have been privileged to go on some great workshops this week to hone my skills as well as having some great meetings and going to some awesome performances.

First up bright and early on Monday morning was a Story telling and Pitching workshop at the BBC academy with the Arts Council. The workshop had been developed as part of the Arts Council drive to build Digital Arts capacity. The workshop was led by Hazel, a professional storyteller (how awesome) who has recently worked on the incredible Africa series featuring David Attenborough (JEALOUS!!). The workshop was split into 2 sections; making story and selling story. Basically separating out digital story telling into a means of marketing vs a means of artistic production.

So what is the relevance of Story? Isn’t it just a nice to have? Tales to tell your children? Far from it. Story is how we make sense of the world, our worlds. Making stories is how we share these perspectives of our worlds. Stories are instantly more memorable and this means they are more shareable. If you want to spread ideas then creating great stories is what it is all about. And that is why I went on this workshop. Because the world needs more awesome world changing stories.

This workshop also covered how to tackle the dreaded application forms and pitching for funding. One I particularly liked was to ‘write applications as if you are the character’ and to think of the application as another story. Keep it fresh and engaging. Funders will appreciate this as nothing worse then endless dry dull application forms. Trust me. Been there. Done that.

We covered the key rules of structure, theme and emotion and were asked to consider always what emotions sit underneath a story. We debated the mono myth theories of Joseph Campbell’s Hero journey vs the Heroines journey along with the ‘7 main plot’ theories of Christopher Booker (Hazel recommended the first half of the book and not to buy but rather borrow it!).

We discussed the importance of clearly identifying the major theme, the big question and the emotions in the story you are telling.

Apparently there are 6 key questions; meaning/purpose, survival, identity, relationship/society, justice, and redemption. Also the importance of the point of view of the story. By switching the point of view the same story can flip the question.

This is all important information to have in the back of my mind as I tell stories of the adventures, trials and tribulations of our voyages. Switching questions and points of view without our realising it, confuses the audience and can easily create misunderstanding.

One should aim not at being possible to understand, but at being impossible to misunderstand.” Quintilian.

I was joined on the course by a great range of artists, performers, writers, and producers. I got particularly excited about giant squid farm installation from the Bureau of Silly Ideas and a silent aerial performance about time.

On a more serious note the story of the Magdalen asylum and the women confined in them with apparent state collusion struck a chord with me. The last asylum closed in 2011. Yes. 2011. Absolutely horrifying. Some women had been confined all their lives on the basis of their ‘hysteria’.

But all the pitches were brilliant and I look forward to seeing the work commissioned.

The other main activity this week was attending a workshop on ‘changing behaviours’ which was being run as a Climate Week activity by AEGIS and the Media Trust. Aegis is an advertising agency whose bread and butter is selling stuff but which also has been working on sustainability advertising in recent years and has a project called FutureProof.

I was joined on the workshop by a range of charitable organisations including Secret Seed Society, City Farms Network and Forum for the Future. Critical debate was had about market segmentation and the action gap between knowledge about environmental issues and the actual positive behaviours that are needed to tackle these challenges. Helpful insights from behavioural studies were presented along with the theories of behavioural change and how to trigger actions to overcome inertia and habitual behaviours to tackle environmental challenges.

I stumbled across this very relevant article on why we need symbiotic and spreadable climate memes which also argues why we need better climate stories: http://www.climatememe.org/2013/03/05/why-global-warming-wont-go-viral/

There are three kinds of positive knowledge that have come out of this research so far.

  1. Firstly, we now know that the global warming meme is not going to make it on its own. That tells us to look outside the meme in other parts of mainstream culture for the solution. We must weave the global warming meme into a stronger meme ecosystem where spreading can happen more quickly.
  2. Secondly, we now have a meme map that tells us which memes will help the global warming meme to spread and which memes weaken or attack it (see the full report linked above to learn more). This tells us that we need symbiotic memes that have more spreading power on their own. Candidates will be discovered by answering the two part question, “Which memes are spreading successfully now that also relate to climate solutions in some meaningful way?”
  3. Thirdly, we now have a baseline understanding of the meme dimensions that must be welded together with the symbiotical memes in order to overcome inherent weaknesses in the global warming meme ecosystem.

Later in the week I went to see ‘The forest and the field’ at the Oval Theatre, an immersive theatrical production about how theatre might change to meet the social and cultural challenges of tomorrow and how we as the audience might change with it.

Finally I went to the incredible World of Women Festival at the Southbank centre where I participated in a speed mentoring session acquiring many great top tips, ideas and support for New Dawn Traders.

I also listened with glee to ‘50 shades of feminism’ which posed the question ‘is being a woman today really just about submitting to desire, in its variations of sex, shopping and even masochism?’. This is the perfect antidote to that 50 shades of s**t that everyone was reading last summer.

My best fact of the day was that Mary Wollstonecraft was a sea faring, ship commanding, feminist single mother from East London who blazed a trial that we are still sifting through the dust of.

New question I’ll be asking myself ‘What would Mary do?’.

I knew about Mary and her feminist writings but I didn’t know about her sea faring escapades to Scandinavia in search of lost gold and silver! I’m totally in awe and if I could time travel I’d definitely go back in time to join her. Failing that I might just go to this day at Birkbeck all about her instead.

Later in the evening I heard Naomi Wolf debate her new book ‘Vagina’ with Jude Kelly the Artistic Director of the Southbank Centre. I have to admit I had not heard of Naomi before the event. I happen chanced upon a last minute ticket from a friend and oh my was I pleased I did. Not only was the debate on female pleasure, female anatomy and the role of sexual organs in creativity incredibly interesting and engaging, the sign language following the debate had me weeping with laughter.

I was grateful for the #wow2013 story hashtag which enabled me to follow thoughts of others in the auditorium. Some of Naomi’s ideas are contentious and it was great to get insights from other experts in the room through this twitter feed.

The evening ended with ‘Crip tease’, a neo-burlesque performance from a range of artists with disabilities. It was incredible and I suggest you discover them for yourselves. The grand finale was an awesome sparkling sight to behold…

Quite a remarkable week that is for certain… But in sharing it I’m pretty sure I haven’t followed the story rules!

Finally note – Happy International Women’s & Mother’s Day!

Electric

“Art is not entertainment. Art is not luxury goods.
Art is culture. It is you and me.”

~Paige Bradley

Going LoCocoa with Kuapa Kokoo

We are currently in the midst of Fairtrade fortnight. I travelled to the Divine chocolate pop up shop to meet Cocoa farmers Mary Appiah and Esther Mintah Ephraim to find out about the life of Fairtrade chocolate producers.

“Going Lococoa with Kuapa Kokoo”

Mary and Esther are farmers in a large cooperative of Ghanaian farmers called Kuapa Kokoo and have flown over to share their stories of life on a cocoa farm. Kuapa Kokoo is the co-owner of London based chocolate brand, Divine chocolate with a 45% stake in the company. The remaining shares are owned by Twin Trading, an ethical trading company, also based in London, which works with small fairtrade producers around the world.

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Mary and Esther arrived in style to meet me, waltzing in wearing stylish full-length fur coats. They had heard that it was freezing cold and had bought them off the local market just before leaving! For both women it was their first time in London. Each year Divine chocolate select a couple of farmers to travel to the UK and learn how their chocolate beans are prepared and sold as chocolate.

I was surprised to learn that despite being a major crop, no one in Ghana eats chocolate. Not even as a chocolate tea or as ingredient to other dishes! As such the beans are picked, processed and bundled into sacks for export without any being made locally into chocolate products. “It would melt to easily in our hot climate” explained Mary. There hasn’t ever been a local culture of chocolate consumption. Cocoa was imported to Ghana in the late 1800s from the Caribbean and was developed right from the beginning as an export crop.

Both Mary and Esther spoke passionately of their farms and the concept of the “Noboa” system whereby farmers come together to help each other in turns. This communal spirit promotes peace, unity and continuity in the society and is a Ghanain tradition.

“For generations we have been farming together” said Esther. “My farm has been passed down to me and we all help each other out at the time of harvest taken turns to travel around the farms collecting and processing the pods”.

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The cooperative provides each member access to training, access to new tools along with trained staff to record information, maintain quality standards and handle any disputes. Both Mary and Esther have been elected to serve their communities as ‘recorders’. In the past traders visiting farms to source cocoa would use heavier weights and fail to give farmers a fair price. Through the cooperative the farmers are able to train their own traders and make sure they their fair share.

In recent years, a handful of organizations and journalists have exposed the widespread use of child labor, and in some cases slavery, on West African cocoa farms, which are linked to major multinational chocolate brands. Mary and Esther explained that their local system of elected recorders protects against such human rights violations. They don’t have to rely on ad-hoc visits from overseas consultants to maintain the health, safety and quality standards of cocoa production.

Kuapa Kokoo has become such a successful cooperative that they are now being asked to advise producers in other countries. Members of the cooperative have been advising farmers in Sierra Leone along with other countries on the western coast of Africa.

Both Mary and Esther were enthusiastic promoters of their cooperative. Over the years this model has enabled them to build schools, dig wells, and create valuable infrastructure for their community along with, crucially, giving every member a say in their own development.

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“You must buy more chocolate from us” enthused Mary. “This makes such a difference. Being part of this cooperative has changed our lives for the whole community”

In the Kuapa Kokoo cooperative about 1/3rd of the farmers are women. Both Mary and Esther will be sharing their inspiring story on the 8th March, World Women’s Day, at the ‘Women of the World’ Festival at the Southbank Centre.

Photo credits: Moe Zafir & Brian Moody

This article was commissioned by Run-Riot, a cultural happenings listing for London